Once in a very long while

October 27th, 2009

Over the course of many weeks I began to notice a strange song on country radio. What I had at first dismissed as typical ‘WE RAWK LIKE ARMY FRAGGLES’ claptrap, I began to realize possessed a certain… tone, a subtext if you will, hidden deep within the song’s imagery and phrases.

I’ll pause now and let you look at the lyrics:

American Ride by Toby Keith

I can’t tell you precisely which line first caught my attention. Perhaps, “Got herself a record, can’t even sing a note”. Or maybe it was my pause in curiosity “Is he saying Bride or Lie?”

I mentioned in passing to some friends that I was under the suspicion that Toby Keith had attempted an experiment in irony. I wasn’t entirely sure as I had yet to actually listened to it intently, but I had hope. When I finally saw the song in full, laid out like some gift from Jesus, I couldn’t contain myself. A former professor of mine dreams of having a telethon fundraiser one day for people without irony. I do believe we have found its theme music!

And it doesn’t end there, watch the video:

American Ride by Toby Keith

More than that, watch others attempt a reaction to the song here:

Country Universe.Net

My particular favorite is this gem from Cowboy Blue, who says:

When I first heard this song I ended up neutral too. I wanted to like it because I love Toby’s music and loved the feel of the song, but at the same time I found it to be very out there and maybe to loaded with comentary. This song will probably grow on me very fast and become a favorite of mine, but I can safely say if I followed it word for word it would certainly contradict with a lot of my personal beliefs.

Definitely one of the most interesting songs of the year.

A few more people cast aspersians on the song, going so far as to accuse Mr. Keith (or the songwriters themselves) of misogyny. But Mr. TBone was there to defend:

Toby Keith is AMERICAN in every sense of the word, and the fact that you judge him and this song is why there are songs like this…. sorry, but I hated hated hated this song the first two times I heard it and by the 3rd time, I got it. Toby is Man enough and American enough to say anything about America. If you don’t agree with the song, you live with your blinders on or you shouldn’t live in America. Period. Our Country is F’d Up and we’re damn proud of it. “That’s us! That’s Right! Gotta Love this American Ride!!!!”

I almost want to go so far as to say that Toby Keith’s entire career: the pro-military, boot-in-your-ass, Dixie Chick baiting, giving whiskey to horses career has set him up for this one perfect moment in time. It almost hurts to think about it.

Ursula K. Le Guin

October 21st, 2009

Happy birthday!

Here’s a poll…

September 30th, 2009

There’s been much ado about a facebook poll regarding the desirability of an assassination attempt on President Obama. Here are my thoughts:

  • The poll was ill-conceived.
  • The author of the poll better not count on ever working for the federal government.
  • In terms of disrespect, it didn’t seem that far off from any number of crazy conservative e-mails I get from a certain relative.
  • If the poll constitutes a threat under § 871, then I think Congress should just ban the internet right now.
  • 6 Degrees of Kevin Brockmeier

    September 29th, 2009

    Kevin Brockmeier is a writer.

    I think Kevin Brockmeier graduated from the Iowa Writer’s Workshop because I recently came across “Some Things About Kevin Brockmeier” in Post Road #8 written by Thisbe Nissen which indicates that she was there, at Iowa, when he was there.

    I once spent a day with Thisbe Nissen in the French Quarter because she was in New Orleans as the Newcomb College Zale Writer in Residence.

    Newcomb College no longer exists, not really, because after Katrina the two undergraduate colleges (Newcomb and A&S) became merged and now there’s Tulane University and the Newcomb Institute.

    My mother thinks they should rename the undergraduate school Newcomb and maybe that would pacify all the women who banded together to sue King Cowen over his move to subsume the South’s first coordinate college for women.

    Thisbe took a lot of pictures of doors and chipped paint while I told her half-remembered ghost stories about a convent. We met my mother at a po-boy restaurant I’d never been to, and I asked about MFA programs. She applied to 15 and got into half, including Iowa, and she had a collection of short stories published by the time I met her so I figured I was screwed.

    A few years later I was at SIU and Kevin Brockmeier came for Devil’s Kitchen. He read a story about god’s overcoat and prayers that in the end were put in fortune cookies by a Chinese restaurant.

    Sometimes chocolate milk isn’t up for discussion.

    What’s a cheese straw?

    September 26th, 2009

    Long before seeing Julie & Julia, I decided that it’d be really nice to know how to cook. Maybe it was the laugh of derision I got from my roommate when I asked her how to cook spaghetti

    “Well you start with boiling water”
    “And how do I do that exactly?”
    “…”

    “And then you add salt”
    “How much?”
    “It doesn’t matter”
    “I NEED TO KNOW!!!!!”
    “…”

    or the feelings of helplessness, and abject terror during the Holidays when, watching my mother do things to a turkey which should not be allowed in the United States, I realized that one day I may be expected to do the same thing.

    And not being one to start small, or simple, I asked my grandmother if she could teach me to make grillades. For those of you who aren’t from New Orleans, grillades is a roux based dish loosely related to beef stew. I think I started with grillades because growing up, I always knew it was the most difficult recipe my mother could make. She also knew it was my favorite, so whenever she decided to make it, I appreciated it.

    Most people, when they start dinner, likely start around an hour or two before dinner is supposed to be served. In our house, we usually ate around 7.

    My mother would start making grillades at noon. At the latest.

    This is partly because you’re supposed to actually cook the meat until it’s tender enough to cut with a fork. This takes a minimum of 2 hours, but anything in excess of that is better. And with all the chopping and measuring and browning and beating that goes on before this de minimis 2 hour window, you learn that it’s better to start when you wake up.

    When my grandmother taught me, she also taught me a few tricks. Namely, grocery stores in New Orleans sell ‘creole seasonings’ in plastic tubs so you don’t have to spend an hour attacking vegetables with a knife. She also liked to keep a coffee tin of bacon grease by her stove and nothing browns meat faster than pure fat. By the end of the day, I still didn’t know how to cook, but I could still follow a recipe.

    Then came cheese straws.

    Grillades are time consuming, but they’re also filling and usually result in a ton of leftovers. Not so of cheese straws. Ever since I was a little girl, my various relatives would make these crack-filled cheese crackers for Thanksgiving and Christmas. They never lasted. My mother to this day has to hide a bag of them in order to get them to survive the night.

    My uncle Robert always made his the spiciest, which meant his lasted the longest but also had to be eaten delicately and with a beverage.

    Everyone had a different press, and a different oven, but we all used the same recipe: The Plantation Cookbook of 1972. This was the same book we used for grillades, crawfish etouffee, baked cheese grits, and french silk pie. If you go your entire life with one cookbook, that’s the one to buy.

    I knew dimly that you could buy cheese straws in a store. They taste like paste and aren’t very spicy, let alone crispy, but I figured that there were only two camps: homemade and store bought. The store bought ones may all taste like crap, but surely all homemade cheese straws were created equal. Surely every other southerner on the planet was making the 1972 Junior League of New Orleans cheese straw.

    And surely none of us were following their ludicrous spice amounts.

    I should add that in the six years I’ve been making cheese straws, I have yet to run into another person who knew what the hell one was. Granted I’ve been making them in Carbondale, IL and St. Louis, MO for a bunch of MFAers in Creative Writing and law students, respectively but I thought that at some point I would run into another southerner who had heard of the damn things. When I didn’t, I began to think cheese straws were like my family’s pronunciation of mayonnaise… theoretically ubiquitous but actually not so much (for the curious, my family pronounces it “my nez” because it’s a French word and you don’t go around saying “kay ann” pepper either).

    Then I ran into another southern cookbook with a recipe for cheese straws, and the recipe got it wrong. They had incorrect proportions of flour and cheese and margarine, not to mention equally ludicrous spice amounts. I went online, same thing. Every recipe I could find was just plain wrong.

    Now maybe this is unfair… perhaps other cooks know something I do not about the ratio of flour and perhaps they don’t mind the greasiness that results from using butter instead of margarine (and to this I say INSANITY), but I can ignore this travesty of spice no longer.

    So here follows the recipe from the Plantation Cookbook, 1972 and then I’ll tell you what’s wrong with it and every other recipe out there.

    2 cups of all purpose flour, sifted
    1 and a half sticks of margarine
    1/2 tsp salt
    1 1/4 tsp baking powder (NOT baking soda, just so we’re clear)
    15 oz extra sharp cheddar cheese, grated
    1 tsp cayenne (optional)
    5 to 6 dashes of tobasco

    Sift flour once, add salt and baking powder, sift again. Set aside. Mix Cheese and margarine (it’s better if you let the margarine reach room temp first). Add cayenne and tobasco. Mix. Slowly add flour. When all is mixed, roll dough in thin strips on baking sheet. Bake 10 minutes in 300 degree preheated oven, then x minutes at 225.

    I’m doing this from memory so I can’t remember what the x was. I have a gas oven so I do 12 minutes at 300, then 30 minutes at 260 (my oven doesn’t go down to 225). I also use a cookie press, not those ridiculous strips.

    Now about those spices. If you want a cheese cracker, buy a damn box of cheez-its. It’s a helluva lot less work. The point of a cheese straw is it’s a homemade labor-of-love crispy delivery device for pepper. A cheese straw with the recommended amount of spice wouldn’t taste like anything. Since beginning my odyssey I have never used less than double the recommended amount. But here’s the second, far more important reason:

    People acclimate to spices. When I brought my first batch to a party in Carbondale, everyone who tried them thought they were too spicy. Didn’t stop them from eating all of them, though. A few years later, my friend Renee warned a girl who’d never had a straw before that these “weren’t even that spicy compared to how [I] normally made them”, I had to correct her to say the opposite. She’d just gotten used to them.

    Cheese straws take hours to make just one batch, and I’m not like my mother. I can’t hide them in a cabinet and forget they’re there. Just once I’d like to be able to have a tin that lasts a few days… maybe even a week.

    Cheese straws are love. They’re goodness and joy wrapped up in a burning sensation that increases with certain kinds of wine. I’ve seen men excuse themselves to the restroom because they needed to down a water fountain, come back, and continue to scarf them down.

    I think cheese straws are the reason I have friends.

    Adventures in Utrecht Part 2

    June 11th, 2009

    Yesterday we went to The Hague which like many things in The Netherlands likes the definite article. An odd habit to everyone but Southerners.

    Our first stop was the International Criminal Court.

    ICC

    They must have a pretty wide jurisdiction as there is a velociraptor/tyrannosaurus rex receiving area:

    Velociraptor

    We were not allowed to take pictures inside. Suffice it to say that there were [redacted]. Which was good since they [redacted] on Tuesdays, plus defendants [redacted]. I know [redacted] would [redacted] if not for [redacted].

    After [redacted], we drove to another part of town to have lunch.

    Mall

    Outside there was a tower of babies.

    Babies

    After our second session at the ICC we were forcibly kidnapped and taken to the beach. No one wanted to go. Why? Because it was raining. Again.

    Rain

    We tried to make the best of it.

    Umbrella

    But really there’s just not too much allure of a beach in the rain.

    Pier

    Cliffs

    Finally after wandering around taking pictures, Wufeng and I headed back to the bus early. Which was locked. So we waited.

    Bus Stop

    And waited.

    Bus Stop 2

    And waited.

    Bus Stop 3

    History of Utrecht According to Hel Part 1: The Canals

    June 9th, 2009

    We begin, as all great stories do, in an alleyway beside my hotel, in the cold, and in the rain.

    Cold and rain, I have learned is very Dutch weather. To date I have not seen a single Dutch person in short sleeves. Fortunately, I, having thoroughly researched the climate and average temperature during the weeks of my stay, came fully prepared for all meteorological scenarios with skirts, short sleeved dresses, and no umbrella.

    It’s okay though because I also only brought sandals and high heels which do really well on slick cobblestones.

    Next we come to a magical portal where one can apparently travel to Venice, Italy.

    Venice

    Once transported (by gondola) you then walk across the bridge to London England.

    London

    London actually makes sense since this is the side wall of the King Arthur pub, and I suppose theoretically the canal and bridge could signify Utrecht, but to date I have not seen a single gondola or strange man in blue and white striped shirt. Perhaps he’s Waldo of the Netherlands. If you find him, you get a tulip.

    Tulips

    The canals in Utrecht have two levels. One day while snacking on some herring and onions, some Dutch men and women realized that building a city below sea level could result in some adverse side effects, like drowning. So they decided that the most logical step was to simply raise the city up a few or dozen feet.

    Canals

    All were happy until the boats came by to deliver more herring and onions and bier (like beer only with more spitting from the back of the throat).

    “Pass it up!” the Dutch men and women cried.

    And the boatmen scoffed for while the Dutch are as a rule, very very tall (which makes sense as their beds are very, very low to the ground), their arms were just not long enough. So the boatmen went away.

    Canals

    “But our herring and onions and bier!” the Dutch men and women cried.

    Everyone was very sad until a little Dutch girl (sister to the little Dutch boy) piped up and said “Why don’t we have a lower level, where our warehouses will be to receive deliveries. Then one day, when we’ve invented trains and planes and automobiles for our deliveries, we can use the hollowed out rooms of the warehouses for kitsch restaurants like Broadway where you can get American food like Ribs and Steaks and Beer which will be almost like Bier but watered down and pronounced phonetically.”

    Canals

    Broadway

    “We’re saved!” the Dutch men and women cried. And there was much rejoicing.

    Even among the ducks.

    Ducks

    Dutch men and women looking for Dutch Waldo:

    Dutch Waldo Search

    Enough to make a girl go crazy…

    February 15th, 2009

    Today I came across a link to a post by Nayad Monroe, a slushreader at Clarkesworld Magazine about submissions to the magazine. It’s an excellent post and contains a lot of really good information about how to properly submit your manuscript for submission which, as the slushreader pointed out, should be common sense by now. As Clarkesworld is one of my favorite magazines, I will definitely be using this post to guide my future submissions. Everything this woman says to do, I will do because you should always follow the guidelines of a magazine.

    This is where the driving me crazy part comes in.

    When I was working for the Crab Orchard Review I also handled hundreds of submissions and read as a first reader for many of them. I cannot recall a *single* short story that was submitted in New Courier. My best guess for this is that because literary journals deal with poetry and fiction, and since poetry looks really wonky when printed up in Courier, Times New Roman became the preference. Regardless, I far, far, far prefer the way Times New Roman looks–for poetry and fiction–and thus I tend to submit everything in that font. I understand the advantages to Courier: as a monospaced font it’s easier to spot errors, but I also don’t want to be the single New Couriered story when I submit to the Missouri Review. The easy thing to do of course is to just change the font when submitting to the different types of magazines, and here’s where the second crazy moment comes in.

    Neoffice is the devil. At first it just liked to italicize huge chunks of text for no reason. They fixed that bug, so now instead of italics, I have paragraphs of all caps. Or a page of gibberish. I have discovered that the best way to circumvent this issue is to save in Neoffice, open the file in Textedit, and save again. However since the problems usually arise when the file is subsequently opened in Microsoft Word, posts like these from editors to whom I have submitted recently, start to make me paranoid. What if the problems aren’t fixed. What if this post is written specifically to me, the weird girl who uses Times New Roman, all caps, gibberish, and italics just to annoy editors?

    Speaking of editors, Ms. Monroe requests that cover letters be addressed to the editor by name. Here’s where I tend to disagree. I know that Clarkesworld has slushreaders and I don’t know which one will inevitably be reading my story. As she points out, listing everyone by name is awkward, and so I tend to opt for the generic “Dear Editors”. This habit also stems from submissions to literary magazines since half the time you don’t know who the editor is because the website is out of date. Nothing like submitting to an editor by name only to discover a few weeks later that the person in question doesn’t work at that university anymore.

    Anyway, despite my neuroticism, I do love when editors post things like this because I do really care about what each editor’s personal preferences are. If Ms. Monroe wants me to address everything to Mr. Clarke or to flying, prancing, magic pony, I’ll do it. I know it doesn’t really make a difference in the decision making process because the story is everything, but I don’t want to be the person whose cover letter and/or submission is read aloud to others in an office somewhere as the best example of what *not* to do.

    …Not that I know of any readers who have ever done that…

    Quote of the Night

    February 5th, 2009

    “There’s an unfortunate shortage of attractive vegan atheist Marxist girls my age in middle Tennessee” -Malex

    A World Without Internet

    February 3rd, 2009